Do you ever find yourself lost in the desert of 2nd takes? I liked this picture because it feels like we have to search so hard when Casting asks for a 2nd take in our Self-Tapes.
1 way is by making an opposite emotional choice from what is obvious on the page.
For instance, if there are multiple capital letters & exclamation points, you might instinctually start yelling & feeling physically alive. That can absoutely work.
But not everyone who becomes upset in life raises their voice & gets aggresive. Some people get very quiet & calculated. So you could do another take where it's the same circumstance, but you're iginiting your inner life instead of your outer life, delivering the dialogue in a very quiet & grounded way.
There are multiple ways of finding 2nd takes & it's not something we should stress over as actors. I'll teach you a few more ways at our $22 2 Takes in 2 Seconds Workshop Saturday, Feb 11th on Zoom.
And if 1-day Workshops are your...
I often hear actors debate the question of whether to sit or to stand in an Audition. As a coach, my answer is to them is often "What will you do when you get to set? Do that."
When we get away from the mindset of auditioning, & get into the mindset of creating a scene, we'll no longer ask that question of ourselves.
I recently attended an Agency Showcase in a hotel conference room where actors from various markets presented a scene to the agencies. Imagine a hotel conference room.. the lighting isn't great, the walls are sorta bland, the room is big.
I noticed that the actors who chose to stand & create a scene that had a real beginning, middle, & end were exceedingly more captivating than the actors who chose to sit. In this case, the space played a major part in the end result.
So keep the idea of "playing the space" in mind if you're still wrestling with whether to sit or to stand in your audition work. You may also err on the side of "which...
We all know Self-Taping has taken over our industry in the past few years. So how do we actually stand out from the 100s of actors submitting for the same role?
I'm teaching a Free Self-Tape Class where I'll share 5 ways that I use to help my students tapes stand out and book. Today, I'll share 1 of those ways with you: Physicality.
I see actors nearly every day with scripts where there is some type of a physicality that they need to adopt in order to truthfully pull off the scene, but their fears take over with what is too much. "I don't want to be over the top," they'll say.
To that I say, please stop listening to your teacher. Many actors are getting coached in ways that make them feel limited in their ability to thruthfully live out the scene, and that is precisely what Casting wants to see.
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